I am not a foodie. I recall the expression “Eat to live don’t live to eat” being used in our house from time to time. So, if I don’t do the food elements justice in The Marriage Code by Brooke Burroughs, I both ask your forgiveness and plead ignorance.
Burroughs’s realistic fiction, multicultural romance (tending toward romantic comedy) centers on two characters: Emma and Rishi. Their meet-cute is not so cute. They strongly dislike each other — dare I say distaste for each other? — and there may or may not be (there is) some theft of office treats between the two of them. Their work brings them together in Seattle then sends them off to Bangalore for a year to work on an app. Both seek the same team lead position and when only one gets the job, the other is bitter.
At least for a time.
Like a film (which this could be), it’s clear from the onset that the two will end up together despite the external conflicts of work and culture. Through the third person limited narration, each character shows himself/herself struggling with feelings and thoughts for the other. Sometimes that struggle requires no interpretation as it’s stated outright. Other times, well, let’s just say the word choice is…..suggestive.
Actually, let’s say more. There were several points early on in the book where I began to get nervous. I wondered if the book was on a trajectory into eroticism. The diction seemed to suggest it was imminent. Thankfully, it did not. Oh, there is sex. But, given the word choice in the build-up, there was shockingly little sex shown. (Yes, I just said “shockingly little sex shown”. Cherish it. The language is more about the tease and the build-up than the act itself.)
However, Burroughs does not hold back on food scenes. Rishi comes to call Emma “Indian food’s number one fan” as they journey through different restaurants where they eat a variety of Indian foods that often evoke moans of appreciation from Emma. (I warned you.) Whether it’s pineapple, lentil-and-rice popadam, prathas, sambar, green beans poriyal. I could go on and on because, well, Burroughs does. To write so much about Indian food, she must be an Indian foodie herself and I cannot do it justice.
The food supplies the scrumptious transition for Emma and Rishi to talk about culture, and that leads to marriage talk. Rishi’s parents have an arranged marriage, but his brother has a love match that causes a divide in his family. Emma, on the other hand, lost her parents at the age of eight and has no family to speak of, but she left Seattle after rejecting a proposal from her long-time boyfriend.
If you want to read a book about Indian culture, universal family problems, with a lot of food and plenty of sexual referencing, this is a great book for you. I appreciate it, but, like I said, not a foodie so not a big star rating from me.
Target: adult readership
٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend