setting – KZ Rochelle

Vlog Review: The Length of a String

Hit Play on the video above.

The Best Thing about this Book is how the two stories weave together.

Premise: Imani will soon turn thirteen, and her plan to ask her parents to help her find her birth parents isn’t going as planned. Her mother is so sweet and fragile, Imani never wants to hurt her or make her cry, so she can’t seem to bring it up. But she can’t live not knowing where she’s from, especially when it’s so clear to everyone from her black skin that she did not come from her white parents. When Imani finds her great-grandmother’s diary from 1941, when she was twelve also, she begins to read it and discover she might not be as alone as she thought.

Rating: 4/5
Target: 4-8

Title: “The length of a string” is a phrase from Anna’s journal that she uses in connection with her identical twin sister to describe the way they connect without speaking. The title and the book deal with a number of relationships that get broken by circumstance — whether the Nazi campaign in the 1940s or being adopted in the 21st century or even the strain of parent/child relationships that happens through the teen years for so many. How long is that string that connects? Well, you’ll have to read the book to find out.

Main Character(s): Imani, 7th grade (she/her)

Motifs (not exhaustive): identity, family, friendship, siblings, history, World War II, Judaism, bat mitzvah, adoption

Great for…* (readers): who like mystery or realistic fiction or historical fiction. Also great for 8th-graders, who often read literature related to the Holocaust.

Great for…* (teachers): Setting is pivotal in each of the narratives and creates the conflict for much of the book. Studying how setting impacts other literary components/features seems as good a plan as any when reading this book.

Parental Warning(s): None that aren’t implied by the subject of the book.

Interact: This book made want to re-start my journal, which I’ve gotten very inconsistent with. Do you keep a journal? If so why and how often do you write in it? And if not, why not and have you ever considered it?

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^{*The “Great for” category is not exhaustive and does not intend to neglect the multitude of readers/teachers who could learn from this book in any number of ways.}

RATINGS GUIDE

٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend

Vlog Review: Mazie

KZ enjoyed this book so much, she forgot it came with gifts in her subscription box.

Hit Play on the video above.

Premise: Graduating from high school in 1959 Nebraska means its time to be an adult: get married, take over the farm (if you’re male), have babies (if you’re female). Mazie Butterfield wants no part of that. She plans to leave her small town for NYC to chase her Broadway dreams. To do so, she’ll have to leave her love behind, breaking both their hearts simultaneously before arriving in a city that doesn’t care if she succeeds or not. Mazie has to figure out what parts of herself she’s willing to let go of and what different ways of thinking she’s willing to accept on the way.

Rating: 4/5, easy to read
Target: 8 & up

Title: The book is a character study. There’s plenty of fun historical content. The time, context add a lot, but boil it down and this book is all about Mazie: what she wants, who she is, where she’s going.

Main Character(s): Mazie Butterfield, 17-turns-18 y/o (she/her)

Motifs (not exhaustive): gender barriers, societal roles, societal expectations, LGBTQ friendly, grief, dreams, identity, theater/performance, independence, romance, loneliness, audacity, voice

Great for…* (readers): I want to be able to say anyone who feels boxed in and wants to break out will love this book, but I think the Broadway setting may act as a barrier for some. However, there are men and women who must deal with what is expected of them in this book, choosing to accept, push back, or reject it in figuring out their own identity. A classic YA trope, right?

Great for…* (teachers): setting (historical and regional), diction (though Crowder didn’t spell the accent in, the accent can be heard), allusion, character study, hopes/dreams project and planning

Parental Warnings: some cursing and unwanted sexual advances from the female perspective

Interact: If you could play in any film, show, production, who would you be and why?

If you like Stage Door (1937), you’ll like this book.

^{Shop local bookstores.
Shop Amazon.
Add on Goodreads.}

^{*The “Great for” category is not exhaustive and does not intend to neglect the multitude of readers/teachers who could learn from this book in any number of ways.}

RATINGS GUIDE

٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend