Vlog Review: Mazie

KZ enjoyed this book so much, she forgot it came with gifts in her subscription box.

Hit Play on the video above.

Premise: Graduating from high school in 1959 Nebraska means its time to be an adult: get married, take over the farm (if you’re male), have babies (if you’re female). Mazie Butterfield wants no part of that. She plans to leave her small town for NYC to chase her Broadway dreams. To do so, she’ll have to leave her love behind, breaking both their hearts simultaneously before arriving in a city that doesn’t care if she succeeds or not. Mazie has to figure out what parts of herself she’s willing to let go of and what different ways of thinking she’s willing to accept on the way.

Rating: 4/5, easy to read
Target: 8 & up

Title: The book is a character study. There’s plenty of fun historical content. The time, context add a lot, but boil it down and this book is all about Mazie: what she wants, who she is, where she’s going.

Main Character(s): Mazie Butterfield, 17-turns-18 y/o (she/her)

Motifs (not exhaustive): gender barriers, societal roles, societal expectations, LGBTQ friendly, grief, dreams, identity, theater/performance, independence, romance, loneliness, audacity, voice

Great for…* (readers): I want to be able to say anyone who feels boxed in and wants to break out will love this book, but I think the Broadway setting may act as a barrier for some. However, there are men and women who must deal with what is expected of them in this book, choosing to accept, push back, or reject it in figuring out their own identity. A classic YA trope, right?

Great for…* (teachers): setting (historical and regional), diction (though Crowder didn’t spell the accent in, the accent can be heard), allusion, character study, hopes/dreams project and planning

Parental Warnings: some cursing and unwanted sexual advances from the female perspective

Interact: If you could play in any film, show, production, who would you be and why?

If you like Stage Door (1937), you’ll like this book.

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*The “Great for” category is not exhaustive and does not intend to neglect the multitude of readers/teachers who could learn from this book in any number of ways.

RATINGS GUIDE

٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend

Vlog Review: The Running Dream

Hit Play on the video above.

Premise: Jessica was in an accident that left her in the hospital, recovering as an amputee. She’s a runner without a leg, and she must learn what that means for her present and her future, her family and her friends, her schoolwork and her social life.

Rating: 4/5
Target: 8th grade and up

Main Character: 16 y/o Jessica (she/her)

Title: Jessica has a reoccurring dream about running with her dog early in the morning, something she did regularly before the accident. The dream is both literal, in that when she sleeps she experiences it, and figurative, as her greatest desire is to be able to run again. The latter dream is the arc of the narrative (and then some….read it to find out what I mean, no spoilers here).

Motifs (not exhaustive): hope, determination, loss, injury/setback, community, disabilities, running, freedom, perspective, healthcare, teamwork, charitable causes, friendship, giving

Great for…* (readers): athletes, students with disabilities (or seeking to empathize with people with disabilities), anyone facing a challenge, the community-minded (leaders)

Great for…* (teachers): growth mindset practice, symbolism, structure, community project

Parental Warnings: none — clean content

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*The “Great for” category is not exhaustive and does not intend to neglect the multitude of readers/teachers who could learn from this book in any number of ways.

RATINGS GUIDE

٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend

Vlog Review: Once Upon a Quinceañera

Hit Play on the video above.

Premise: Carmen Aguilar must complete a summer project if she wants to graduate high school this year. She’s ruined one project, but her best friend helps her land a new internship with a party princess company. Carmen plays the role of Belle and is mortified when her ex shows up as the Beast. Now she has to learn to deal with him and with her wicked stepsister of a cousin who’s just hired the company to perform at her quince.

Rating: 4/5
Target: 8th grade and up, Latinx especially

Title: The motif of dreams and muddled realities, Disney princesses and villainy run rampant through this novel. I don’t love the title, but it makes sense.

Motifs (not exhaustive): coming of age, Latinx culture, Cuban-American culture, OWN voices, princesses, Disney, beauty & the beast, family relationships, mending broken relationships, growth, multiple cultures, extended family

Great for…* (readers): from a Latinx culture, interested in Latinx culture, or needing exposure to Latinx culture — some Spanish (occasionally, though not always translated to English)

Great for…* (teachers): character arc/growth, motif/theme, culture exposure

Parental Warnings: clear sexual references and scenes, intermittent cursing

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*The “Great for” category is not exhaustive and does not intend to neglect the multitude of readers/teachers who could learn from this book in any number of ways.

RATINGS GUIDE

٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend

Vlog Book Review: Tell Me Three Things

Hit Play on the video above.

Premise: Jessie’s mom passed away 733 days ago, she’s counting. A bit too soon for her to confront her dad’s news that he is remarrying and they are moving from Chicago to LA. Jessie must start a new school, leave her friends behind, and join another household/family. At a private school for the wealthy (paid for by her new step-mother), Jessie struggles to establish a groove until an anonymous student starts emailing then texting with her. Who is this “Somebody Nobody” with whom conversing is easy and what will become of their relationship? Can you blame her if she’s struggling to feel confident in the midst of so much change?

Rating: 3/5
Target: high school, college

Title: “Tell me three things” derives from a pattern of communication between Jessie and SN (exact identity: unknown) where they begin conversing by telling each other three things about themselves, whether important or unimportant, factual or opinion-based. Record your three things in the comments, and see mine as well.

Motifs (not exhaustive): grief, moving, new kid, step families, adaptation, coming of age, friendship, romance

Great for…* (readers): fans of romance and romantic comedies (like Happily Ever After or the film You’ve Got Mail) who want something fun to read

Great for…* (teachers): students who may be reluctant readers but who get swept up in the drama of high school, free reading, quiet/bookish students

Parental Warnings: some sexual innuendo and referencing, sexual coming of age in minor characters, intermittent cursing

Start a conversation like Jessie and SN: what are three things about you? List in comments and expect a response.

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Add on Goodreads.

*The “Great for” category is not exhaustive and does not intend to neglect the multitude of readers/teachers who could learn from this book in any number of ways.

RATINGS GUIDE

٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend

Book Review: French Exit

I’ll tell you from the beginning. This is a post to declare to you that I would make a fabulous casting director. Or possibly a self-deceiving cheat.

I’ve finished reading French Exit by Patrick DeWitt.  I always want to add an article in front of the title, declaring this book to be about the French exit, but apparently there are many French exits, several in the book, more in reality. 

Anyway, I picked it up, knowing it was in production to be a film — but I didn’t know it was a finished film. In theaters now (in LA and NYC). 

The several French exits in the book are declared early. Fanny Price has gone broke. Her immense wealth that grew upon her marriage has run dry. Absolutely. Nothing left after seven years of warnings from her financial advisor Mr. Baker. When the money runs out, he asks Fanny what her plan had been through those seven years. Her response epitomizes her character: “My plan was to die before the money ran out. But I kept and keep not dying, and here I am.” 

Here, at the time, is stateside, but without a place to stay she soon finds it necessary to head to Paris where a friend has an apartment where Frances may stay. She travels to France with her son because it’s their only option (exit 1), all the while with the plan to rid herself of her final spending money and do as she planned: die (exit 2). But she’ll do it her way, as much as she can. 

DeWitt presents Price fully formed, take her or leave her, and take her you must. She’s just quirky enough, just witty enough, and just sane enough to be mesmerizing beyond her beauty. 

When I first began reading, I envisioned Price as Hepburn with a Brynn Mawr accent, an elitist prig from the early scenes of The Philadelphia Story. But as I read, as DeWitt presents flashbacks that explain the why of what you the reader already know the character is, Price took on more color. She could not be caught in the black and white films of Hepburn, held in the distance by time. No, she was fully-fleshed if standoffish, with a flat American annunciation. Her voice became Michelle Pfeiffer’s, flat and flavored as in I Am Sam where her character must hold it all together for appearances sake.

And this is where I return to my premise for this post. Can you guess which actress plays Frances Price in theaters? Why, none other than Michelle Pfeiffer herself. The character could not be played by anyone as well what with the coupling of physical beauty Pfeiffer possesses with her paradoxically cold voice with undertones of rich emotion — such that it made me wonder if DeWitt wrote the novel with Pfeiffer in mind for the role. If he did, he got what he wanted. 

Either way, I got what I wanted and thus I proclaim myself a great casting director without any other evidence than that which I’ve just noted (and will tell myself that is sufficient evidence to make a case — I’m not claiming I’d make a great lawyer). Either that, or somewhere I caught a glimpse of Pfeiffer in the role and have given myself the credit all the while keeping my conscious self from this knowledge. Deceiving at least myself and possibly you in the process. Take your pick.

But if you want to read this book, you’ve got to want to read it for the dark humor and intoxicating horror of Price, whose grown son lives with her because he wants to and she wants him to. Their relationship keeps Malcolm Price from marrying his fiance. (I’m still perplexed as to why the fiance is interested in Malcolm, but that enigma is never meant to be explained. The Prices are an addiction. Logic need not have anything to do with it. And like all addictions, they’re rather dark and a bit dirty.) The book centers on Frances Price, but it’s not necessarily about her. Once you’ve read it, think about it. Tell me: is the book about Frances or Malcolm or someone else altogether? I’ll be interested to know.

Oh! By the way… I’m eager to see this movie — I hope it’s as arty as I want it to be. And since I’m already a fantastic casting director, I can confidently declare it’s in the film’s best interest to follow the notions I’ve never voiced regarding its most apt aesthetic.

Rating: 3.5/5
Target: adult readership, 16 y.o. and up

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RATINGS GUIDE

٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend

Book Review: Anxious People

The structure is the meaning. The meaning is the structure. The structure’s in the meaning. The meaning’s in the structure. If that’s too much for you, you may want to either skip this read or read it without much care.

I admit it. When I started Anxious People by Fredrik Backman, my first Backman book, I didn’t like it. I didn’t like the short, choppy chapters that read as unique short story submissions to literary journals with flashpoints in the final lines that change the entire reading of the story. Again and again and again. One was good. Two okay. Then, it irritated me. I couldn’t get my feet on the ground of this narrative without having Backman purposely launch me off them.

The interjections of interviews with equally irritating, if not obnoxious, characters proved nothing if not a nuisance.  

Precisely as they were meant to do. 

This will be a short review (if you can call it that) because I have no intention of revealing the plot resolution of Backman’s book featuring a bank robber without a robbery and a hostage situation with the “world’s worst hostages.” You’ll have to experience the details for yourself. But here is what I’ve come to conclude: despite all that Backman himself will tell you the book’s about (in the text itself, he will use the phrase repeatedly), if you can trust him, the story is about isolation and connection. 

The jagged pieces that begin the book are reflections of the characters themselves: intriguing, well-crafted, but ultimately awkward in how they attempt to be more than alone. Because as the reader, I was somewhat lost in the nameless characters and their stories at the start, I found myself like them, weighing whether or not connecting to these characters is worth it. The more they revealed, the less annoying the characters were, and the more I recognized bits of myself in them. 

That’s the genius of this narrative. You find yourself in characters who you assumed were nothing like you. You connect with them as Backman transitions from his short, stop-and-go chapters to lengthier ones. Even the shorter interviews reveal connections you may not anticipate and which bolster the meaning of the narrative.

The book is well done and meaningful. It is unusual and unique, like we are, yet immensely relatable, too. Also, like we are. If that seems enigmatic or problematic or paradoxical, well, you’ll just have to read Anxious People to understand what I mean.

Rating: 4/5
Target: adult readership, 16 y.o. (not due to word or subject-matter but due to nuance)

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Shop Amazon.
Add on Goodreads.

RATINGS GUIDE

٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend

Vlog: One of the Good Ones

Watch the vlog. Then….will you read the book?

If you have read the book, what would you rate it (out of 5)? AND, are you ready for my spoiler question???

And, can anyone tell me how to pronounce the authors’ last name?

RATINGS GUIDE

٭ = DNF, would not recommend
٭٭ = would not recommend
٭٭٭ = enjoyable, would recommend
٭٭٭٭ = very good, would recommend
٭٭٭٭٭ = amazing, would definitely recommend