Premise: Jessica was in an accident that left her in the hospital, recovering as an amputee. She’s a runner without a leg, and she must learn what that means for her present and her future, her family and her friends, her schoolwork and her social life.
Rating: 4/5 Target: 8th grade and up
Main Character: 16 y/o Jessica (she/her)
Title: Jessica has a reoccurring dream about running with her dog early in the morning, something she did regularly before the accident. The dream is both literal, in that when she sleeps she experiences it, and figurative, as her greatest desire is to be able to run again. The latter dream is the arc of the narrative (and then some….read it to find out what I mean, no spoilers here).
Great for…* (readers): athletes, students with disabilities (or seeking to empathize with people with disabilities), anyone facing a challenge, the community-minded (leaders)
Great for…* (teachers): growth mindset practice, symbolism, structure, community project
*The “Great for” category is not exhaustive and does not intend to neglect the multitude of readers/teachers who could learn from this book in any number of ways.
RATINGS GUIDE
٭ = DNF, would not recommend ٭٭ = would not recommend ٭٭٭ = enjoyable, would recommend ٭٭٭٭ = very good, would recommend ٭٭٭٭٭ = amazing, would definitely recommend
Premise: Carmen Aguilar must complete a summer project if she wants to graduate high school this year. She’s ruined one project, but her best friend helps her land a new internship with a party princess company. Carmen plays the role of Belle and is mortified when her ex shows up as the Beast. Now she has to learn to deal with him and with her wicked stepsister of a cousin who’s just hired the company to perform at her quince.
Rating: 4/5 Target: 8th grade and up, Latinx especially
Title: The motif of dreams and muddled realities, Disney princesses and villainy run rampant through this novel. I don’t love the title, but it makes sense.
Motifs (not exhaustive): coming of age, Latinx culture, Cuban-American culture, OWN voices, princesses, Disney, beauty & the beast, family relationships, mending broken relationships, growth, multiple cultures, extended family
Great for…* (readers): from a Latinx culture, interested in Latinx culture, or needing exposure to Latinx culture — some Spanish (occasionally, though not always translated to English)
Great for…* (teachers): character arc/growth, motif/theme, culture exposure
Parental Warnings: clear sexual references and scenes, intermittent cursing
*The “Great for” category is not exhaustive and does not intend to neglect the multitude of readers/teachers who could learn from this book in any number of ways.
RATINGS GUIDE
٭ = DNF, would not recommend ٭٭ = would not recommend ٭٭٭ = enjoyable, would recommend ٭٭٭٭ = very good, would recommend ٭٭٭٭٭ = amazing, would definitely recommend
I will say it again. (I said it on social media already.) And again and again and again. Holy Snow.
I love books. I enjoy most books. I read fun books, mostly, with some element of depth to them, but let’s call a spade a spade. They’re mostly about entertainment and empathy. But this book. Holy snow.
Fighting Words by Kimberly Brubaker Bradley is a powerful, heart-wrenching work about more than its premise, which is weighty and deserving in itself. Although statistics vary, data shows 1 in 4 girls and 1 in 13 boys fall victim to sexual abuse at some point in their childhood. Yet, I cannot think of a single middle grades book (other than this one) that deals with the topic at all, let alone as tactically and expertly as Bradley’s Newbery Honor Book.
Della informs you that she’s ten from the start of Fighting Words, the story she narrates. She begins with the simple facts and builds to the difficult narratives and sub-narratives. From the beginning of Della’s account, she and her older sister Suki find themselves in foster care. Their mother, whom Della barely remembers except for one explosive incident (literally), is an incarcerated meth addict. The man with whom they were left at her incarceration, well, that’s where some of the difficulty resides. It was his inappropriate assault of Della that led to their removal from his care. The scene gets told, once Della is ready to tell it, leaving the reader with a sense of horror and revulsion without feeling the scene crossed a literary line for the target audience. How can a scene be appropriately inappropriate? I don’t know. But I read one in this book.
The quality of the writing and the voice is worthy of the topic here. It would have to be to have the audacity to attempt to deal with sexual abuse, abandonment, and the aftermath. Importantly, Bradley writes from experience, and confesses to such in the author’s note. But this is not a book about trauma; it’s a book about healing.
Like any healing process, Della and Suki do not have a clear and easy path to follow. Della has trouble with a boy named Trevor at school. She pushes people away with her use of four letter words (which, in the book, she substitutes for snow, snowman, snowflake, etc.) both deftly and intelligently. Suki is the only person Della could rely on to take care of her. But Suki has had to parent Della since she was herself six. Now that they’re in foster care, and preparing for court with their abuser, there are plenty of proficient adults to care for Della. And for Suki, too. But Suki and Della don’t always know how to let them or how to trust them.
The characters grow in themselves as the narrative progresses. Della tells you the hard parts. Even the hardest part. (Read with tissue nearby. She’ll warn you it’s coming.) And show you their courage along the way.
There are multiple characters with “bad stories” in this book. Some of which you hear, some of which you don’t. (Even Della and Suki shy away from the explicit and ugly details of everything– making it both tasteful and challenging for a middle grade audience, yet better to be read with someone to talk to through it.) Some of those bad stories relate to poverty, some to abuse, some to mental health. What Bradley makes clear is each character has a story whether they tell it or not.
Fighting Words embodies its title. This is Della. Telling you her story. In her words. With courage. With bravery. With love. With fight. You may not hear many ten-year-olds tell you about their abusive experiences. I pray you don’t (not because they won’t tell you but because they don’t have them to tell). Listen to her voice. It may inspire you to use your own.
You’ve gotta read this book. It’s the kind of book I live for because it’s not just literature. It’s art.
Rating: 5/5 Target: 6th grade and up for general audience, younger for children of abuse
Parents, please read this book with your child. Do not send them off to read this and struggle through its content on their own. Better yet, you read it first. Then read it a second time with them. There’s nothing easy about it. But, much like parenting itself, it’s valuable and important. No one said it would be easy. For snowflake’s sake.
Readers, don’t scoff at the target audience. This book is for older readers as much as it is for middle grade readers. Snow. I could use this in a college course curriculum. It’s that well done.
٭ = DNF, would not recommend ٭٭ = would not recommend ٭٭٭ = enjoyable, would recommend ٭٭٭٭ = very good, would recommend ٭٭٭٭٭ = amazing, would definitely recommend
KZ Rochelle 